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Conversation with Beatrice Rescazzi on AtlantIQ Society and “Leonardo Magazine”: President, AtlantIQ Society (3)

November 15, 2020

Interviewer: Scott Douglas Jacobsen

Numbering: Issue 24.A, Idea: Outliers & Outsiders (Part Twenty)

Place of Publication: Langley, British Columbia, Canada

Title: In-Sight: Independent Interview-Based Journal

Web Domain: http://www.in-sightjournal.com

Individual Publication Date: November 15, 2020

Issue Publication Date: January 1, 2021

Name of Publisher: In-Sight Publishing

Frequency: Three Times Per Year

Words: 1,717

ISSN 2369-6885

Abstract

Beatrice Rescazzi is the President of the AtlantIQ Society. She discusses: what distinguishes an Honorary Member from a Member; the mascot “Verbo the Robot”; AtlantIQ Society, STHIQ Society, and the Creative Genius Society; the “Library”; “Clear Water Challenge,” “Increase Food Challenge,” “Reduce Plastics Challenge,” and “Free Education Challenge”; “AtlantIQ Society for UNICEF”; a number of downloadable items from the AtlantIQ Society; resources; “The Cemetery of the High IQ Societies”; its co-founder and current president; optometry and orthoptometry; the teaching of computer science; some of the productions from developing robots, electronics, and learning how to build 3D printers and 3D print material objects; and personal interests.

Keywords: AtlantIQ Society, Beatrice Rescazzi, Creative Genius Society, Leonardo Magazine, STHIQ Society.

Conversation with Beatrice Rescazzi on AtlantIQ Society and “Leonardo Magazine”: President, AtlantIQ Society (3)

*Please see the footnotes, bibliography, and citation style listing after the interview.*

Scott Douglas Jacobsen: As you noted in the admissions and demographics session (2) of the interview, the AtlantIQ Society has over 200 members, which is an achievement. A page is devoted to the membership public listing of the AtlantIQ Society (2019a).[1] What distinguishes an Honorary Member from a Member?

Beatrice Rescazzi: I never wanted to divide people in categories in the AtlantIQ Society, but some members expected to be distinguished from others, therefore I added the relative adjectives so that they are free to feel as such among the other names in the list.

Jacobsen: Where did the idea of the mascot “Verbo the Robot” start?

Rescazzi: I have built/assembled some robots and this was the smartest one, as it talks and moves. I called it Verbo from the union of two words “verde” (green, in italian) and robot. Also, “verbo” means word, talking or, verb, in italian. I thought that a mascotte was a nice adding to the group.

Jacobsen: How did Leonardo Magazine become a combination of the productions of the AtlantIQ Society, STHIQ Society, and the Creative Genius Society?[2]

Rescazzi: I just thought that inviting other societies to contribute and have a common magazine was a good idea and the Presidents of the respective societies agreed.

Jacobsen: I love the idea of the “Library” with the individualized contributions to the electronic library with contributions from individual members (2019c). What are some of the more contributions, downloaded ebooks?

Rescazzi: I am too lazy to scroll more than 2000 books to check and answer!

Jacobsen: The “Genius at Work Challenge” (2019d) breaks into the “Clear Water Challenge,” “Increase Food Challenge,” “Reduce Plastics Challenge,” and “Free Education Challenge.” What were the outcomes?

Rescazzi: The outcomes are shown in the previous issues of the magazine, Leonardo. I added a personal contribution for each topic and all the ideas will be analysed and developed. But, at the moment, further development of the Genius At Work Challenge has temporarily paused because of the pandemics emergency. Infact, the attention needed to work on these topics has been hijacked by the covid 19, and I am myself now involved in helping the healthcare workers and colleagues distributing 3D printed PPE.

After creating the Genius At Work challenge I invited two other societies, but the project will re-start with STHIQ only, as an individual decision of collecting money exploiting all my material and the project itself, was taken in the other society without any consent by AtlantIQ, or STHIQ.

Jacobsen: “AtlantIQ Society for UNICEF” is a practical and immediate contribution of a high-IQ group. What was the origin of this idea? What is the level of contribution of “AtlantIQ Society for UNICEF” to UNICEF to date?

Rescazzi: The AtlantIQ UNICEF project could be possible thanks to UNICEF Canada that years ago was allowing contributions from all the world thanks to customizable webpages. This service is no longer provided, so now we can only send contributions as individuals. The AtlantIQ Society as a whole sent about 500 dollars during a period of two years, when the AtlantIQ for UNICEF webpage was active.

Jacobsen: There are a number of downloadable items from the AtlantIQ Society website (2019f): BookmarksBookmark bookPink EnvelopeBlue EnvelopePink NotesBlue NotesStationery1Stationery2Stationery32011 Calendar2014 Calendar2020 CalendarGift BagSundial (ENG)Sundial (ITA)AtlantIQ – (Beatrice Rescazzi)New AtlantIQ – (Beatrice Rescazzi)AtlantIQ Theme – (Graham Powell)The End Of Summer – (Kit O’Saoraidhe), and The End Of Summer, score – (Kit O’Saoraidhe). What brought these ideas to mind? Who produced them? There are some unique qualities to AtlantIQ Society. I am curious as to some these minutiae.

Rescazzi: I like to design, compose and create. Those in the download page are gifts for the members I am pleased to share. Music composed by Graham Powell and Kit O’Saoraidhe is also present.

Jacobsen: The AtlantIQ Society provides some links[3]: “WORLD INTELLIGENCE NETWORK,” “STHIQ SOCIETY,” “KSTHIQ SOCIETY,” BRAIN SOCIETY,” “VENUS SOCIETY,” “EPIQ SOCIETY,” “ISI-S SOCIETY,”  and the “POETIC GENIUS SOCIETY.” As well, it provides some resources[4]: “SENG RESOURCE LIBRARY,” “HIGH ABILITY,” “HIGLY SENSITIVE AND CREATIVE – RESOURCES,” GRO-GIFTED,” GIFTED SERVICES,” “HOAGIE’S GIFTED EDUCATION PAGE,” and “BEATRICE RESCAZZI WEBSITE.” Why these links? Why these resources?

Rescazzi: I thought about a visitor who is interested in the high IQ societies and wants to know more after visiting the AtlantIQ Society website. So I selected some different societies with different features that can provide a general view.

The second group of links instead, is more giftedness-oriented. These links may be helpful for those who aren’t sure if they have a high potential, for those who need support or just information about giftedness.

Jacobsen: “The Cemetery of the High IQ Societies”[5] (2019h), another special quality of AtlantIQ Society. You talked a bit about this before. Can you expand on the ways in which this stared and developed, please?

Rescazzi: When I saw yet another dead link to a high IQ society, I decided to check them all and make a list. Some of them need to be remembered, some others maybe just needed to be buried: I like to see the feedback from other people. Sooner or later I will also update and publish a list I made of compromised IQ tests.

Jacobsen: How are these facets of AtlantIQ Society reflective of the varied interests, technical and creative, of its co-founder and current president?

Rescazzi: I am both cursed and blessed with a constant production of ideas and projects. It’s a curse because it’s impossible to complete all the things I wish to create, wich is frustrating. It’s a blessing because I realise that in the end, I do something good and this pushes me to do better.

My interests and hobbies are many so I can be a sort of “one man band”. In the case of the AtlantIQ Society, I made the website and its content, and manage the magazine. I dedicate a lot of time on the projects too. For the latest Genius At Work challenge, aside creating the project itself from the webpage to personal contribution of ideas, I also made a presentation video, and sang its background music too. I put a lot of passion in everything I do.

Jacobsen: Why did you originally pursue optometry and orthoptometry?

Rescazzi: When I was younger I was extremely undecided about the university course I would take. I would have liked to study everything. I have chosen this branch because it was among the things that interested me the most and that my local university offered: so I could also work while studying without wasting time traveling. In my specialization you can help many people to regain sight which for me is the most important sense. It is also based on physics, neurology, relies on computer science and advanced instruments, and is a branch in continuous development, which makes it very interesting.

Jacobsen: Why pursue the teaching of computer science to adults?

Rescazzi: I love computers: they are a wonderful tool for learning and creating. I think everybody should learn how to use them so to gain this advantage. The older generation didn’t have the opportunity to learn informatics. Once it happened that I could offer my competence for courses in my city, so in my spare time I became the teacher of students that in some cases were 80+ years old. I really enjoyed that time and see the satisfaction of my students becoming confident with a previously unknown technology.

Jacobsen: What have been some of the productions from developing robots, electronics, and learning how to build 3D printers and 3D print material objects?

Rescazzi: I rarely think in terms of productivity. Generally, I am driven by a huge curiosity and passion for learning and I don’t know what the path of my discoveries go. Anyway, it happens that my creations and ideas are sometimes useful, especially when I set such goal on purpose. Among my creations, I have a programmable fish feeder, a drawing device for children with brain palsy (made in collaboration with the mothers of the children), an off-the-grid, cheap Braille writing machine to be used in poor countries, a set of simple tools to write on a keyboard for those with disabilities, some microscopes, adapters for telescopes/cameras, customized face shields for healthcare professionals, plenty of spare parts and unique parts for restoration. My charity creations plus others, are all shared and given for free. I also have requests of special parts that I design and deliver, and it’s more fun than gain for me. I also participate in challenges involving 3D design, 3D print, architecture, space missions and charities.

Once this pandemic is gone, I am willing to bring one of my 3D printers to schools and library, and show to the kids how it works. I hope to inspire and spread some passion for the STEM topics.

Jacobsen: As you have described to me, your personal interests range far and wide including arts, astronomy, informatics, languages, science, space missions, technology, 2D and 3D drawing and design. What are some unifying threads of these interests?

Rescazzi: Being curious, I made this same question myself years ago, and I discovered that although common creativity is associated with the arts, when present at higher levels is an important part of intelligence and drives people to discover new things in many disciplines. That’s why, when a professional tests your creativity, you are not asked to paint, but to complete tasks that push your ability to co-activate parts of the brain that usually work separately. Having a sensorial synaesthesia includes having many neural connections that are not usually present in people, with naturally interconnected senses that allow a deeper perception of the world and a high level of creativity. Although it’s easy for me to reach a sensory overload which is tiring, I also crave for constant information. When I am diving into a topic, I want to follow all its connections with the other disciplines that can give me more information on the main topic. I further deepen more and more topics that I discovered along the path. It’s a neverending connection of information and once I reach enough expertise, I like to put together more disciplines together and invent, design and build whatever my mind suggests.

References

AtlantIQ Society. (2019e). AtlantIQ Society for UNICEF. Retrieved from http://www.atlantiqsociety.com/atlantiq-for-unicef.html.

AtlantIQ Society. (2019f). Downloads. Retrieved from http://www.atlantiqsociety.com/downloads.html.

AtlantIQ Society. (2019d). Genius at Work Challenge. Retrieved from http://www.atlantiqsociety.com/geniusatwork.html.

AtlantIQ Society. (2019b). Leonardo Magazine. Retrieved from http://www.atlantiqsociety.com/leonardo-magazine.html.

AtlantIQ Society. (2019c). Library. Retrieved from http://www.atlantiqsociety.com/library.html.

AtlantIQ Society. (2019a). Members. Retrieved from www.atlantiqsociety.com/members.html.

AtlantIQ Society. (2019h). Dead* Societies: The Cemetery of the High IQ Societies. Retrieved from www.atlantiqsociety.com/cemetery.html.

[1] As of September 10, 2020, the listing stipulates the following members:

President and Vice President

Beatrice Rescazzi, Graham Powell

HONORARY MEMBERS & MEMBERS

Moreno Casalegno (Co-Founder)
Maria C. Faverio
Paul Freeman
Greg. A. Grove
Gaetano Morelli
Stan Riha
Vincenzo D’Onofrio
Giulio Zambon
Fernando Barbosa Neto
Alan J. Lee
Robert Birnbaum
Jacqueline Slade
Richard Stock
Greg Collins
Torbjørn Brenna
Noriyuki Sakurai
Zachary Timmons
Phil Elauria
Andrea Toffoli
Marios Prodromou
Duc Hong Le
Gianmarco Bartellone
Tommi Petteri Laiho
Michael Thrasher
José Gonzàles Molinero
Mick Pletcher
Richard Szary
José Serrano
Pamela Staschik-Neumann
Nuno Baptista
Adam Kisby
Andrea Gelmetti
Faisal Alfagham 
فيصل الفغم
Gustavo Fabbroni
Shaun Sullivan
Gerasimos Politis
Gavan Cushnan
Pietro Bonfigli
Djordje Rancic
Jon Scott Scharer
Roberto A. Rodriguez
Jesse Wilkins
Rajiv Kutty
Nomar Alexander Noroño Rodríguez
Scott Poh
Miroslaw Zajdel
Stephen Getzinger
Nancy Vanstone
Guillaume Chanteloup
Karin Lindgren
Gary Song
Lim Surya Tjahyadi
Paul Laurent
Eric Anthony Trowbridge
Niels Christoffers
Michelle Anne Bullas
Jeffrey Lee Graham
Tahawar Ali Khan
Yuri Tovar
Jason Oliver
Jarl Victor Bjørgan
Bradley Hutchinson
Donald M. Fell
Gwyneth Wesley Rolph
Vicente Lopez Pena
Rudolf Trubba
Barry Beanland
Morie Janine Hutchens
Keegan Ray McLoughlin
Hever Horacio Arreola Gutierrez
Michael Backer, Jr
Aman Bagaria
Selim Şumlu
David Gordon Little
Victor Hingsberg
Anthony Lawson
Beau D. Clemmons
R. K.
Alberto Bedmar Montaño
Paul Stuart Nachbar
Jim Lorrimore
Jakub Oblizajek
Gabriel Sambarino
Tony Lee Magee
Dorian Forget
Tom Högström
Elizabeth Anne Scott
Michael Donoho
Ernest Williamson III
Nicole Mathisen
Katarina Vestin
Christine Van Ngoc Ty
Jason Betts
Yu-Lin Lu
Nikolaos Solomos
Gracia Cornet
Richard Painter
Wyman Brantley
Yao Xu
Kevin James Daley
Stephen Maule
Birgit Scholz
Leif E. Ågesen
Mohammed Al Sahaf
Martin Murphy
Samuel Mack-Poole
Vuk Mircetic
Peter Radi
Marcin Kulik
Harold Ford
Thomas G. Hadley
Miguel Soto
Göran Åhlander
Evangelos Katsioulis
Anja Jaenicke
Roy Morris
Slava Lanush
Frank J. Ajello
Nicolò Pezzuti
James Dorsey
Massimo Caliaro
Michael Tedja
John Argenti
Therese Waneck
Bo Østergaard Nielsen
Sudarshan Murthy
Daniel Roca
Glikerios Soteriou
Kristina Thygesen
Miguel Jorge Castro Pinho
Tim G. Griffith
Claus Volko
Diego Iuliano
Elcon Fleur
Evan Tan
Dalibor Marinčić
Konstantinos Ntalachanis
Candy Chilton
Diego Fortunati
WeiJie Wang
Alessia Iancarelli
Cristian Vaccarella
Iakovos Koukas
Filippo De Donatis
Richard Ball
Zhida Iiu
R. Kent Ouimette
Marina Belli
Karim Serraj
Kim Sung-jin
Juman Lee
CHIANG LI CHING
Zhibin Zhang 
张志彬
Andre Gangvik
Nikos Papadopoulos Παπαδόπουλος Νίκος
Jo Christopher M. Resquites
Ricky Chaggar
Félix Veilleux-Juillet
Michael Franklin
Michela Fadini
Fabrizio Fadini
Fabrizio Bertini
Cosimo Palma
Nobuo Yamashita 
山下 伸男
Cristian Combusti
Mostafa Moradi
Xiao-ming CAI 
晓明
Fabio Castagna
Robert Hodosi
Francisco Morais dos Santos
Cynthia L. Miller
Hongzhe Zhang 
张鸿哲
Serena Ramos
Nguyen Tran Hoai Thuong Nguyễn Trần Hoài Thương
Giuseppe Corrente
Sergey Dundanov
Andrea Casolari
Anthony Brown
Veronica Palladino
Yohei Furutono
Francesco Carlomagno
Emanuele Gianmaria Possevini
Joseph Leslie Jennings
Robin Lucas
Rosario Alessio Ronca
Oliver Dammel
Javier Rio Santos
Sebastiao Borges Machado Junior
Agasi Pietro
Taddeucci Nicholas
Andre Massaro
Mika Korkeamäki
Tor Arne Jørgensen
Dario Casola
Federico Statiglio
Vincent Li 
李宗
Jewoong Moon 
문제웅
Annelie Oliver
Nitish Joshi
Christian Sorensen
Simon Olling Rebsdorf
Marzio Mezzanotte
Paolino Francesco Santaniello
Edwin P. Christmann
Nicos Gerasimou

MASCOTTE

Verbo The Robot

See AtlantIQ Society (2019a).

[2] See AtlantIQ Society (2019b).

[3] See AtlantIQ Society (2019g).

[4] See Ibid.

[5] The current listing circa September 10, 2020:

    • Alta Capacidad Hispana
    • Elateneo/s
    • BPIQ Society
    • Epida Society
    • Colloquy
    • ExactIQ
    • Tenth Society
    • Bright Minds Society
    • Greatest Minds Society
    • Vinci Society
    • Sigma
    • Sigma III
    • Sigma Society V
    • Hellenicus
    • UberIQ
    • IIS
    • OATHS
    • Ludomind
    • Pi Society
    • Platinum Society
    • Cerebrals
    • High Potentials Society
    • Mysterium Society
    • GLIA
    • Ingenium Society
    • LogIQ
    • Iquadrivium Society
    • Pars Society
    • UnIQ
    • HispanIQ International Society
    • Encefalica
    • OMIQAMI
    • Artistic Minds
    • MIQRO
    • GOTHIQ
    • EVANGELIQ Society
    • Episteme Club
    • PolitIQal Society
    • Secret High IQ Society
    • Chorium Society
    • Nano Society
    • IQual Society
    • PolymathIQ
    • Incognia
    • UltimaIQ
    • Neurocubo
    • Order of Imhotep
    • SophIQa
    • EliteIQ
    • Neutrino high IQ Society
    • Atheistiq Society
    • Noetiqus Society
    • Evolutioniq Society
    • EPL Society
    • The Athenian Society
    • Supernova Society
    • Intellectually Gifted with Disabilities
    • Orison-B High IQ Society
    • Icon High IQ Society
    • Thinkiq
    • Hypatian Society
    • Chaos IQ Society

*Or in an apparent coma for more than 5 years.

See AtlantIQ Society (2019h).

Appendix I: Footnotes

[1] President, AtlantIQ Society.

[2] Individual Publication Date: November 15, 2020: http://www.in-sightjournal.com/rescazzi-3; Full Issue Publication Date: January 1, 2021: https://in-sightjournal.com/insight-issues/.

*High range testing (HRT) should be taken with honest skepticism grounded in the limited empirical development of the field at present, even in spite of honest and sincere efforts. If a higher general intelligence score, then the greater the variability in, and margin of error in, the general intelligence scores because of the greater rarity in the population.

Appendix II: Citation Style Listing

American Medical Association (AMA): Jacobsen S. Conversation with Beatrice Rescazzi on AtlantIQ Society and “Leonardo Magazine”: President, AtlantIQ Society (3) [Online].November 2020; 24(A). Available from: http://www.in-sightjournal.com/rescazzi-3.

American Psychological Association (APA, 6th Edition, 2010): Jacobsen, S.D. (2020, November 15). Conversation with Beatrice Rescazzi on AtlantIQ Society and “Leonardo Magazine”: President, AtlantIQ Society (3). Retrieved from http://www.in-sightjournal.com/rescazzi-3.

Brazilian National Standards (ABNT): JACOBSEN, S. Conversation with Beatrice Rescazzi on AtlantIQ Society and “Leonardo Magazine”: President, AtlantIQ Society (3). In-Sight: Independent Interview-Based Journal. 24.A, November. 2020. <http://www.in-sightjournal.com/rescazzi-3>.

Chicago/Turabian, Author-Date (16th Edition): Jacobsen, Scott. 2020.  Conversation with Beatrice Rescazzi on AtlantIQ Society and “Leonardo Magazine”: President, AtlantIQ Society (3).” In-Sight: Independent Interview-Based Journal. 24.A. http://www.in-sightjournal.com/rescazzi-3.

Chicago/Turabian, Humanities (16th Edition): Jacobsen, Scott Conversation with Beatrice Rescazzi on AtlantIQ Society and “Leonardo Magazine”: President, AtlantIQ Society (3).” In-Sight: Independent Interview-Based Journal. 24.A (November 2020). http://www.in-sightjournal.com/rescazzi-3.

Harvard: Jacobsen, S. 2020, ‘Conversation with Beatrice Rescazzi on AtlantIQ Society and “Leonardo Magazine”: President, AtlantIQ Society (3)In-Sight: Independent Interview-Based Journal, vol. 24.A. Available from: <http://www.in-sightjournal.com/rescazzi-3>.

Harvard, Australian: Jacobsen, S. 2020, ‘Co Conversation with Beatrice Rescazzi on AtlantIQ Society and “Leonardo Magazine”: President, AtlantIQ Society (3)In-Sight: Independent Interview-Based Journal, vol. 24.A., http://www.in-sightjournal.com/rescazzi-3.

Modern Language Association (MLA, 7th Edition, 2009): Scott D. Jacobsen. “Conversation with Beatrice Rescazzi on AtlantIQ Society and “Leonardo Magazine”: President, AtlantIQ Society (3).” In-Sight: Independent Interview-Based Journal 24.A (2020):November. 2020. Web. <http://www.in-sightjournal.com/rescazzi-3>.

Vancouver/ICMJE: Jacobsen S. Conversation with Beatrice Rescazzi on AtlantIQ Society and “Leonardo Magazine”: President, AtlantIQ Society (3)[Internet]. (2020, November 24(A). Available from: http://www.in-sightjournal.com/rescazzi-3.

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Copyright

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