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An Interview with Krystal Volney on First Parts of “Cosmos and Spheres,” and Actualization of Giftedness and Talents (Part Three)

March 1, 2020

 

 

 

 

 

 

 

 

Interviewer: Scott Douglas Jacobsen

Numbering: Issue 22.A, Idea: Outliers & Outsiders (Part Eighteen)

Place of Publication: Langley, British Columbia, Canada

Title: In-Sight: Independent Interview-Based Journal

Web Domain: http://www.in-sightjournal.com

Individual Publication Date: March 1, 2020

Issue Publication Date: May 1, 2020

Name of Publisher: In-Sight Publishing

Frequency: Three Times Per Year

Words: 3,663

ISSN 2369-6885

Abstract 

Krystal Volney is an Editor of Phenomenon, and known for her computing interviews for WIN One (World Intelligence Network) as a tech writer, Co-Editor and publications in Award-winning/bestselling educational books that can be found in bookstores and libraries around the world, journals, blogs, forums & magazines such as Thoth Journal of Glia Society and City Connect Magazine since 2012-present. She is the author of Cosmos and Spheres poetry book and the ‘Dr. Zazzy’ children’s series. She discusses: Cosmos and Spheres; acceptance of the manuscript; polyglotism; appropriateness of the text; the early sections of the book; major themes of the text; opening with a poem on love, and “Bubo Scandiacus”; and “The Beauty”.

Keywords: editor, Glia Society, Krystal Volney, Phenomenon, poetry, World Intelligence Network, writer.

An Interview with Krystal Volney on First Parts of “Cosmos and Spheres,” and Actualization of Giftedness and Talents: Author & Editor, Phenomenon (Part Three)

*Please see the footnotes, bibliography, and citation style listing after the interview.*

1. Scott Douglas Jacobsen: Now, we come to the formal publishing of a book by you – in particular, a book of poetry for one. Cosmos and Spheres was published by Trafford Publishing from Victoria, British Columbia, Canada, which happens to connect some personal Canadian heritage for yourself and local geography to me (British Columbia) with the first appearance online in February of 2011 (some reports state 2010, though) with a publication revision in Trafford Publishing on March 28, 2012.

Krystal Volney: Cosmos and Spheres was first published online in 2010 on Amazon and then published by Trafford Publishing and Author Solutions in 2012. I wrote my first poem ‘The Flower’ in 2010 while I was meditating about life on my couch and looking at flowers with hummingbirds outside of the window. It is available in that book along with my other poem ‘The Immaculate Hacker’ which is a romance, mental health and thriller poem reviewed by Dr. Evangelos Katsioulis, Lord Graham Powell, Bertrand Arlain, Thomas J. Hally and Paul Cooijmans.

2. Jacobsen: Why select Trafford Publishing and Author Solutions?

Volney: Back in 2011, they liked and accepted my manuscript, choosing to publish it.

3. Jacobsen: You speak English, Spanish, and French. Why these languages? How does polyglotism, as a talent and skill set, help with personal and professional life?

Volney: I studied those languages in both primary and secondary school for literary and conversational purposes. Polyglotism helps with personal and professional life if you are always travelling to other countries and meeting various people from different backgrounds.

4. Jacobsen: Why was Cosmos and Spheres appropriate for family and minors?

Volney: The themes in the book are suitable for adults of all ages and there are children’s poems for minors as well.

5. Jacobsen: You reference some influences, which have been covered before. However, in the introductory portion of the text, you quote Voltaire, “Poetry is the music of the soul, and, above all, of great and feeling souls,” in the Acknowledgements. Intriguingly, and in the next section, you state the means by which to understand Cosmos and Spheres in Understanding Cosmos and Spheres, as follows:

The title of the book has a lot to do with how people live their lives. Cosmos connotes the universe and everything that exists anywhere. It also defines an orderly or harmonious system. Spheres connote a particular environment or walk of life. Ever since I was younger, I’ve been fascinated with stars in the night sky and fell in love with the artistic piece ‘Starry night’ from pa inter Van Gogh. I compare the planets to human beings based on the description of each one from scientific research and also each planet as a sphere in the solar system. To me, the earth is somewhat like the solar system and different peoples like the planets in relation to the sun. This of course is not a spiritual or religious theory. However, I believe in God.

Now, I reference these two sections as non-trivial, and parts of the sections, because of the one reference to someone who believed, by some accounts, either to a deistic interpretation of a Christian God or simply a Deity of some form without care, compassion, or concern for the earthly frail lives of human beings, and then the reference to the firm non-presentation of “a spiritual or religious theory” whilst believing in God. Was Voltaire another unstated, until the present, influence on you? What would formally comprise a spiritual theory to you? What would formally comprise a religious theory to you?

Volney: When I wrote Cosmos and Spheres poetry book in 2010 (ten years ago), I was a Roman Catholic (but not a prophet) which is why in some of the poems like the ‘Immaculate Hacker’ there is a mention of Exorcisms. For many years I lost faith in Christianity because of people who I saw as Hypocritical although I’ve met those who are genuine as well. I believe that God exists. I pray about it all of the time wondering why the Creator of everything brought so many human beings into the world from various financial, social, physical and religious backgrounds. For years I was agnostic but I started believing in God who I would like to truly discover completely again. I live a moral lifestyle hoping that He will show himself to me. When I became agnostic, I believed that there was just pure evil in the world and that good people don’t truly exist unless getting money or something socially was on the agenda but then I met honourable women who are some of the sincerest people around. I will never judge or condemn anyone spiritually or their religions as well because you don’t know what he or she experiences daily so it’s better not to judge him or her as nobody is perfect. Voltaire was an influence on me as I remember when I wrote the book. A spiritual and religious theory would have been that the planets and the billions of people on the earth are the reason that we exist for a purpose (the Solar System). That is not a valid theory though and it’s not my place to make that assumption about everything. I haven’t read about any evidence of life on any of the other planets even though filmmakers want people to believe that aliens do exist and that there are Martians from Mars, etc.

6. Jacobsen: Why the major themes of children, the environment, fashion, nature, and romance in Cosmos and Spheres?

Volney: I wanted to create a poetry book for families around the world which is why it was written about numerous countries including the place where I was born- Trinidad and Tobago.

7. Jacobsen: Why open Cosmos and Spheres with a poem on love, “Veux-Tu M’Espouser”? Some readers may jump, hop, and skip from page to page, but, still, others will read front to back. For the latter group, the first poem sets a tone, as the other sections provided a framework for comprehension. Why the themes of patience, waiting, courtship, and so on, intertwined with love in it? Once more, also, we see the echoing of themes with the reference to roses, forsythias, and cyclamen and animals with the feathered wing, fireflies, killer bees, serpents, and swans to another poem in the series entitled “Bubo Scandiacus.”

Volney: The first romance poem ‘Veux-Tu M’Epouser’ was written in 2010 to give couples a greater appreciation for love and marriage. It is deeper than the material things such as diamond rings and gifts. Although I’m not that way, I don’t judge anyone who likes that because everyone is different and jewellery is popular especially in Fashion. The themes of patience, waiting and courtship intertwined with love in it are meant for people in relationships as well as the married people to know that true romance is about loving someone through the ‘thick and thin’ as well as not being backstabbing or betraying the person who loves you. ‘Veux-Tu M’Epouser’ is about a man who is in love with a woman who betrays him for someone better off than him so he finds peace and love with God. The poem demonstrates that through the coldest weather such as in Russia (the fog, mist and clouds), he would be there for his love after romancing her in the secret garden. On the other hand, that was not good enough for her as she wanted someone wealthier than him and that broke his heart so he turned to God who would love him unconditionally.

8. Jacobsen: “The Beauty” opens with some prose, which made me giggle quietly to myself:

Beauty stared proudly at her reflection in the vermeil mirror, while her golden cup held a mixed glass of Perrier and Tasmanian rain. Spoke the mirror to her in a fervent dream-„Wake up from your egocentricity!” O how the tears of fizzing water splashed in her face as the beast Narcissus deemed her vain and stained.

Does this echo personal experience? You also speak to the dance of image and reality, internal character and external representation, and the ways in which many, probably most, women ‘question their beauty” again and again in cultures, and as a species, beholden to differential standards of what counts as valuable in men and women. You remark on the qualities of a woman with charisma, confidence, elegance, intelligence, and personality. How does this gentlewoman represent the “sensational woman called beauty”?

Volney: Yes certainly! Women “question their beauty” again and again in cultures, and as a species, beholden to differential standards of what counts as valuable in men and women. Beauty is in the eye of the beholder and various cultures reveal what is considered to be visually pleasing to them. By way of example, the long-necked women of Myanmar, lip stretching women in parts of Africa and South America, having pale skin in Asian countries as well as having coloured eyes are seen as beautiful in some parts of the world. The poem ‘The Beauty’ is about a woman who wanted to achieve physical perfection as she deemed that as being truly beautiful but her interior was not equally lovely. The focus of the poem at the end is that inner beauty is more significant as the woman should have charisma, elegance, confidence, intelligence or personality as a sensational beauty.

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Appendix I: Footnotes

[1] Author; Tech Writer & Part-Time Co-Editor, Phenomenon; Writer, Planet Ivy Magazine [Planet Ivy]; Writer, Desiblitz Magazine; Writer, Relate Magazine; Writer/Journalist, City Connect.

[2] Individual Publication Date: March 1, 2020: http://www.in-sightjournal.com/volney-three; Full Issue Publication Date: May 1, 2020: https://in-sightjournal.com/insight-issues/. Image Credit: Krystal Volney.

*High range testing (HRT) should be taken with honest skepticism grounded in the limited empirical development of the field at present, even in spite of honest and sincere efforts. If a higher general intelligence score, then the greater the variability in, and margin of error in, the general intelligence scores because of the greater rarity in the population.

Appendix II: Citation Style Listing

American Medical Association (AMA): Jacobsen S. An Interview with Krystal Volney on First Parts of “Cosmos and Spheres,” and Actualization of Giftedness and Talents (Part Three) [Online].March 2020; 22(A). Available from: http://www.in-sightjournal.com/volney-three.

American Psychological Association (APA, 6th Edition, 2010): Jacobsen, S.D. (2020, March 1). An Interview with Krystal Volney on First Parts of “Cosmos and Spheres,” and Actualization of Giftedness and Talents (Part Three)Retrieved from http://www.in-sightjournal.com/volney-three.

Brazilian National Standards (ABNT): JACOBSEN, S. An Interview with Krystal Volney on First Parts of “Cosmos and Spheres,” and Actualization of Giftedness and Talents (Part Three). In-Sight: Independent Interview-Based Journal. 22.A, March. 2020. <http://www.in-sightjournal.com/volney-three>.

Chicago/Turabian, Author-Date (16th Edition): Jacobsen, Scott. 2020. “An Interview with Krystal Volney on First Parts of “Cosmos and Spheres,” and Actualization of Giftedness and Talents (Part Three).” In-Sight: Independent Interview-Based Journal. 22.A. http://www.in-sightjournal.com/volney-three.

Chicago/Turabian, Humanities (16th Edition): Jacobsen, Scott “An Interview with Krystal Volney on First Parts of “Cosmos and Spheres,” and Actualization of Giftedness and Talents (Part Three).” In-Sight: Independent Interview-Based Journal. 22.A (March 2020). http://www.in-sightjournal.com/volney-three.

Harvard: Jacobsen, S. 2020, ‘An Interview with Krystal Volney on First Parts of “Cosmos and Spheres,” and Actualization of Giftedness and Talents (Part Three)In-Sight: Independent Interview-Based Journal, vol. 22.A. Available from: <http://www.in-sightjournal.com/volney-three>.

Harvard, Australian: Jacobsen, S. 2020, ‘An Interview with Krystal Volney on First Parts of “Cosmos and Spheres,” and Actualization of Giftedness and Talents (Part Three)In-Sight: Independent Interview-Based Journal, vol. 22.A., http://www.in-sightjournal.com/volney-three.

Modern Language Association (MLA, 7th Edition, 2009): Scott D. Jacobsen. “An Interview with Krystal Volney on First Parts of “Cosmos and Spheres,” and Actualization of Giftedness and Talents (Part Three).” In-Sight: Independent Interview-Based Journal 22.A (2020):March. 2020. Web. <http://www.in-sightjournal.com/volney-three>.

Vancouver/ICMJE: Jacobsen S. An Interview with Krystal Volney on First Parts of “Cosmos and Spheres,” and Actualization of Giftedness and Talents (Part Three) [Internet]. (2020, March 22(A). Available from: http://www.in-sightjournal.com/volney-three.

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In-Sight Publishing and In-Sight: Independent Interview-Based Journal by Scott Douglas Jacobsen is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
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Copyright

© Scott Douglas Jacobsen, and In-Sight Publishing and In-Sight: Independent Interview-Based Journal 2012-2020. Unauthorized use and/or duplication of this material without express and written permission from this site’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Scott Douglas Jacobsen, and In-Sight Publishing and In-Sight: Independent Interview-Based Journal with appropriate and specific direction to the original content.  All interviewees co-copyright their interview material and may disseminate for their independent purposes.

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